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Samuel Hieronymous GrimmSwiss Painter, 1733-1794
Swiss painter and draughtsman, active in England. He studied in Berne under Johann Ludwig Aberli and became established as a painter of topographical views in oil and watercolour. His early surviving works (e.g. River Landscape and Landscape with Chasseurs; Basle, priv. col.) are principally tinted drawings of landscapes and alpine scenery, with scenes of rustic life in the foreground; they display his characteristically charming and informal style. He also produced many decorative book illustrations: the frontispiece and plates to Friedrich von Hagedorn's Poetische Werke (1769-72) are among his finest. By 1764 Grimm had abandoned oils and was painting only in watercolour. From 1765 to 1768 he travelled and painted in France; he then moved to England,
Henry SingletonBritish Painter, 1766-1839,English painter and illustrator. His father died when he was young, and he was brought up by his uncle, the miniature painter William Singleton (d 1793). In 1782 he entered the Royal Academy Schools in London and in 1784 won a silver medal for a drawing from life, exhibiting at the Royal Academy for the first time the same year. He showed considerable promise and in 1788 won a gold medal for a painting inspired by John Dryden's ode Alexander's Feast that was especially praised by Reynolds. In 1793 Singleton was commissioned by the Royal Academy to paint the group portrait the Royal Academicians Assembled in their Council Chamber (London, RA). He soon became noted for his paintings inspired by the Bible and from literary sources, among them Manto and Tiresias (exh. 1792; London, Tate) from John Dryden's Oedipus, and for his depictions of contemporary historical events, of which the watercolour Design Commemorative of the Abolition of the Slave Trade (1807; London, BM) is an example. Many of his works were engraved in mezzotint and achieved a widespread popularity. He also painted portraits, the writer James Boswell (c. 1795; Edinburgh, N.P.G.) being one of his sitters. Many of Singleton's later works are inclined to be sentimental and were carelessly executed; they were often intended solely for engraving.
Elisabeth Jerichau Baumann(born November 21, 1819 - died July 11, 1881 in Copenhagen) was a Polish-born Danish painter. She was married to the sculptor Jens Adolf Jerichau.
Elisabeth Jerichau-Baumann was born in Zoliborz (Jolibord) a borough of Warsaw.Her father Philip Adolph Baumann (1776 - 1863), a mapmaker, and her mother, Johanne Frederikke Reyer (1790 - 1854), were German.
At the age of nineteen, she began her studies in Desseldorf which at the time was one of the most important art centres in Europe and her early subject matter was drawn from Slovak life. She began exhibiting there and in 1844 attracted public attention for the first time. After she moved to Rome, her paintings were primarily of local life. It was here that she met her future husband, Jens Adolf Jerichau, whom she married in 1846. When the artist couple was not travelling, she spent many hours a day in their studio in Rome. She was particularly fond of the Italian carnival as a theme.